TSUNG-YU LU ARTS
  • Photography
    • Alaksana
    • Be - Chapter III
    • Be - Chapter II
    • Be - Chapter I
    • Black Day
    • White Night
  • Algorithmic Art
    • Triangram
    • Fragments
    • AlgoRhythm
    • The Break
    • A Pollock's Paintbrush Tried To Draw Concentric Circles But Failed
    • Sentiment Echo
    • Rose 1851
    • White Night Vol.1
    • The Foresting Tree
  • About
  • Photography
    • Alaksana
    • Be - Chapter III
    • Be - Chapter II
    • Be - Chapter I
    • Black Day
    • White Night
  • Algorithmic Art
    • Triangram
    • Fragments
    • AlgoRhythm
    • The Break
    • A Pollock's Paintbrush Tried To Draw Concentric Circles But Failed
    • Sentiment Echo
    • Rose 1851
    • White Night Vol.1
    • The Foresting Tree
  • About

Be - Chapter III

Be No.33 Be No.32 Be No.31 Be No.30 Be No.29 Be No.28 Be No.27 Be No.26 Be No.25
Be No.33 - The circuit board of the external hard disk box and the plants in the water tank (2026)

Be No.33 - The circuit board of the external hard disk box and the plants in the water tank (2026)

Rationality: A hard drive is a strange thing. The data inside keeps growing, yet the exterior shows no change at all — as if hundreds of gigabytes of files weigh nothing.

Sensibility: Every time I see a large fish in a tank, I think: if I had to live in a space that small, I would go completely mad. I wonder if, in that situation, going mad might actually be better than staying sane.

Be No.33 - 外接硬碟盒的電路板和水缸裡的植物 (2026)

理性:硬碟真的是一種很奇妙的東西,裡面的資料一直在變多,但外觀確看不出任何變化,彷彿那幾百 GB 的檔案一點重量都沒有。

感性:每次看到水缸裡的大魚,都會覺得如果是自己在這麼狹小的空間裡生活,我一定會直接發瘋。不知道這種情況發瘋會不會比清醒好一點?

Be No.32 - The motherboard of the colleague's desktop and a fence overgrown with climbing plants (2026)

Be No.32 - The motherboard of the colleague's desktop and a fence overgrown with climbing plants (2026)

Rationality: I yearn for a digital nomad life, traveling the world with my laptop, so I have never had a desktop since I graduated from college. It's just that this kind of life state can't be fully realized so far.

Sensibility: Even with a two-year window, I still let my gas station points sit until they expired. Do things with longer shelf lives just get left to expire more easily?

Be No.32 - 同事桌機的主機板和長滿爬藤植物的籬笆 (2026)

理性:我嚮往著帶著筆電雲遊四海的人生,雖然這樣的生活方式至今仍無法完全實現,但我還是這樣期待著。

感性:加油站送的點數即使期限有兩年,但總是還是會放到過期,是不是效期越久的東西越容易被放到過期?

Be No.31 - The circuit board of a broken bluetooth keyboard and the stone tiles in the park (2025)

Be No.31 - The circuit board of a broken bluetooth keyboard and the stone tiles in the park (2025)

Rationality: “With this bluetooth keyboard, I won’t need to bring my laptop out to code anymore.” That was the original idea. But the phone screen turned out to be too small to make it practical, so I kept thinking about getting a tablet. Years later, I finally got one—but by then, the keyboard was broken. “Should I buy a new keyboard?” Another half year passed.

Sensibility: My son’s good friend gave him a stag beetle. As adults, this species typically lives for three to four months, but ours impressively lived for over six. And yet, during those six months, we also experienced the passing of two beloved family members. There is no better reminder of life’s impermanence.

Be No.31 - 壞掉的藍牙鍵盤的電路板和公園裡的石磚 (2025)

理性:「有了這個藍牙鍵盤,我就可以不用帶電腦出門也可以寫程式了。」當初是這麼想的,結果手機螢幕太小了根本不適合這麼做,就一直想買一台平板;過了好幾年終於得到一台平板,鍵盤卻壞了。「該不該再買一個新鍵盤?」半年又過去了。

感性:兒子的好朋友送了一支高砂鋸鍬形蟲給他,這種的成蟲一般壽命大概是三四個月,我們這隻很爭氣的活了六個多月。然而在這六個多月之間,我們卻也經歷了兩位親人的離世,生命無常莫過於此。

Be No.30 - The circuit board of a remote-controlled car and a fence overgrown with climbing plants (2025)

Be No.30 - The circuit board of a remote-controlled car and a fence overgrown with climbing plants (2025)

Rationality: My most vivid memory of an amusement park is the flying swing ride that required a minimum height of 120 cm. I was especially short as a child, so every time we went, I could only watch my sister enjoy the ride. I should’ve been really happy the first time I was finally tall enough to ride it, right? Honestly, I don’t remember that moment at all, but I do remember the feeling of wanting something but not being able to have it. That feeling can start in childhood and stay with you for a lifetime.

Sensibility: Because of the kids, my wife and I haven't been able to go out for a proper drink together in years. I wonder how old our child will have to be before this small luxury becomes possible again.

Be No.30 - 遙控車的電路板和長滿爬藤植物的籬笆 (2025)

理性:對兒童樂園最深刻的回憶就是滿 120 公分才能玩的輻射飛椅,小時候我特別矮,每次去都只能看姊姊玩。長高之後第一次能玩的我應該很開心吧?其實我已經沒有印象了,但是想要卻得不到的心情卻可以從童年開始一輩子都忘不掉。

感性:這些年因為小孩的關係,一直都沒有辦法跟老婆一起好好去外面喝一杯。不知這奢侈的願望要等小孩多大的時候才能實現。

Be No.29 - A Hong Kong Orchid Tree leaf and the motherboard of my wife's broken laptop (2024)

Be No.29 - A Hong Kong Orchid Tree leaf and the motherboard of my wife's broken laptop (2024)

Sensibility: I always want to know how to tell a Purple Camel's Foot apart from a Hong Kong Orchid Tree, yet I can never seem to remember. But then again, even if I did remember, it probably wouldn't make much difference to my life.

Rationality: No one holds a funeral for a broken computer. But if humanoid robots become commonplace in the future, with one in every home, might robot funerals become an emerging industry?

Be No.29 - 洋紫荊葉與老婆壞掉的筆電主機板 (2024)

感性:洋紫荊和艷紫荊到底怎麼分辨,我總是很想知道,卻又總是記不起來。但算了,反正就算記起來,對我的人生大概也沒什麼幫助吧。

理性:沒有人會埋葬一台壞掉的電腦,但如果未來人形機器人普及了,家家都有一台,那麼人形機器的殯葬業會不會變成一個新興的行業呢?

Be No.28 - The bark of a paperbark tree and the hard drive from my wife's broken laptop (2024)

Be No.28 - The bark of a paperbark tree and the hard drive from my wife's broken laptop (2024)

Sensibility: The Paperbark tree, though a well-adapted non-native species, seems utterly defenseless against the merciless strangling of the equally non-native Large-leaved Banyan. The interactions between non-native species are truly unpredictable.

Rationality: My wife's laptop finally gave out, but she still had work to finish, so she went straight to the store and bought a new one. Just like that, the old one was replaced. What to do with it, though — we still haven't figured that out.

Be No.28 - 白千層的樹皮和我老婆壞掉筆電的硬碟 (2024)

感性:白千層身為適應良好的外來種,但面對同樣是外來種的雀榕的無情絞殺,卻顯得毫無招架之力。外來種之間的相生相剋還真是難以預料啊。

理性:老婆的筆電用到壞掉了,但還有工作要趕,只好直接去店裡買一台新的。就這樣,舊的筆電被取代了,只是要怎麼處理它?我們還沒想好。

Be No.27 - A tree on my commute and a photo of Paper Shoot Camera displayed in the museum store (2024)

Be No.27 - A tree on my commute and a photo of Paper Shoot Camera displayed in the museum store (2024)

Rationality: The weakness of photography enthusiasts is the urge to reach for their wallet whenever they see an unusual camera. But with so many cameras out there, does anyone actually need all of them? How much of it is just feeding a collecting habit?

Sensibility: I like taking different routes and modes of transport between two places, because each one brings different scenery. But when all possible routes have been used up and there's nothing surprising left to encounter along the way — does that mean it's time to change one of the destinations?

Be No.27 - 通勤路上的一棵樹與博物館商店裡的紙可拍相機 (2024)

理性:看到特別的相機就會很想把錢包掏出來是攝影人的弱點,只是有這麼多相機,真的都得到嗎?有多少成份是純粹為了滿足自己的收集癖呢?

感性:我喜歡用不同的交通方式以及路線來往兩地,因為可以遇見不同的風景。只是當所有可能的路線都有被「用完」,很難再在路上遇見什麼驚喜的時候,是否就表示該換掉其中一個目的地了呢?

Be No.26 - Vibrant plants from a garden encountered in the alleys and a part of the mother board of my colleague’s desktop (2024)

Be No.26 - Vibrant plants from a garden encountered in the alleys and a part of the mother board of my colleague’s desktop (2024)

Sensibility: I often have this urge to walk down every single alley at least once — I suppose that's a kind of collecting too. Except this collection has no physical form; it can only exist somewhere in my very forgetful brain.

Rationality: I once overheard a debate on the MRT about whether hardware or software is more important. One person said: without software, what can hardware even do? But what I was thinking was: without hardware, where would the software go?

Be No.26 - 巷子裡遇見的花園植物與同事桌機的主機板一角 (2024)

感性:我常常有一種我要把每條巷子都走過一遍的慾望,這也算是某種收集癖吧?只是這種收集沒有實體,只能在我非常健忘的大腦裡進行。

理性:記得有一次在捷運上聽到有人在討論硬體跟軟體哪個重要,其中一個人說:如果沒有軟體的話,硬體哪能動!但我想的卻是:如果沒有硬體的話,軟體要放在哪裡?

Be No.25 - The mother board of colleague’s desktop and an exterior green wall of Taipei EXPO Park (2024)

Be No.25 - The mother board of colleague’s desktop and an exterior green wall of Taipei EXPO Park (2024)

Rationality: One summer during junior high, I went to a friend of my dad's computer company to learn and help assemble computers. Even so, at the time, I was still just a tool for playing video games; my status didn't improve because of it.

Sensibility: The year I graduated from junior high, a few classmates, obsessed with Mayday, recruited me, who could play guitar, to form a band. Looking back, it wouldn't be an exaggeration to say that Mayday changed the trajectory of my life.

Be No.25 - 同事桌機的主機板和花博公園的綠牆 (2024)

理性:國中的某次暑假,我去爸爸一個朋友的電腦公司去學習和幫忙組裝電腦。儘管如此,對當時的我來說仍然是一個打電動的工具,地位並沒有因此提升。

感性:國中畢業那年,同學因為著迷於五月天,找了會彈吉他的我組了一個創作樂團。回想起來,說五月天改變了我的人生軌跡應該也不為過吧。

About the Works

"Be" is an important long-term photography project for me, as it feels like a self-portrait of my inner state.

Within this project, I explored two directions. The first exploration continues the inversion processing technique from my previous projects, Black Day and White Night. It extends this technique from black-and-white to color, aiming to expand the possibilities of inversion imagery.

The second exploration involves attempting to merge the interiors of technological products with natural elements. The former symbolizes my rational side as an engineer, while the latter represents my intuitive side as an artist. Rationality and sensibility often conflict on my journey of self-realization, and I am trying to visualize and merge them together, just as I strive for these two aspects to coexist and flourish in my life.

The visual materials used in this series are all drawn from objects I’ve encountered in my daily life. Each carries a small story — either documenting how it existed in my life, or becoming a pathway to memory and reflection. Every piece is composed by overlapping two materials: one representing rationality, the other sensibility. In this layering, a dialogue between two stories also emerges.

作品介紹

"Be" 對我來說是一個重要的長期攝影系列作品,因為它就像是我內心狀態的自畫像。

在這個系列中,我主要探索了兩個方向,第一個方向的探索延續了我在 Black Day 和 White Night 兩個系列中的反相處理手法,將它從黑白拓展到彩色,旨在擴展反相影像的可能性。

第二個探索則嘗試將科技產品的內部構造與自然元素融合在一起;前者象徵我作為工程師的理性面,而後者代表我作為藝術家的感性面。理性與感性經常在我的自我實現旅程中產生衝突,而我試圖將兩者視覺化並融合在一起,就像我努力讓這兩個面向在我的生命中能夠共存共榮。

本系列中所使用的的影像素材皆取⾃我日常生活中所觸及的物件,每個素材都有一段⼩故事,記錄它如何存在於我的⽣命中,抑或作為一段回憶、一個感悟的導引;而每張作品皆由理性與感性兩樣素材疊合而成,同時也疊合出兩段故事的對話。
© 2013-2026 Lu Tsung-yu