Be Chapter II
"Be" 對我來說是一個重要的系列作品，因為它就像是我內心狀態的自畫像。
在這個系列中，我主要探索了兩個方向，第一個方向的探索延續了我在 Black Day 和 White Night 兩個系列中的反相處理手法，將它從黑白拓展到彩色，旨在擴展反相影像的可能性。
第二個探索則嘗試將科技產品的內部構造與自然元素融合在一起；前者象徵我作為工程師的理性面，而後者代表我作為藝術家的感性面。理性與感性經常在我的自我實現旅程中產生衝突，而我試圖將兩者視覺化並融合在一起，就像我努力讓這兩個面向在我的生命中能夠共存共榮。
在這個系列中，我主要探索了兩個方向，第一個方向的探索延續了我在 Black Day 和 White Night 兩個系列中的反相處理手法，將它從黑白拓展到彩色，旨在擴展反相影像的可能性。
第二個探索則嘗試將科技產品的內部構造與自然元素融合在一起；前者象徵我作為工程師的理性面，而後者代表我作為藝術家的感性面。理性與感性經常在我的自我實現旅程中產生衝突，而我試圖將兩者視覺化並融合在一起，就像我努力讓這兩個面向在我的生命中能夠共存共榮。
"Be" is an important photography project for me, as it feels like a self-portrait of my inner state.
Within this project, I explored two directions. The first exploration continues the inversion processing technique from my previous projects, Black Day and White Night. It extends this technique from black-and-white to color, aiming to expand the possibilities of inversion imagery.
The second exploration involves attempting to merge the interiors of technological products with natural elements. The former symbolizes my rational side as an engineer, while the latter represents my sensitive side as an artist. Rationality and sensibility often conflict in my journey of self-realization, and I am trying to visualize and merge them together, just as I strive for these two aspects to coexist and flourish in my life.
Within this project, I explored two directions. The first exploration continues the inversion processing technique from my previous projects, Black Day and White Night. It extends this technique from black-and-white to color, aiming to expand the possibilities of inversion imagery.
The second exploration involves attempting to merge the interiors of technological products with natural elements. The former symbolizes my rational side as an engineer, while the latter represents my sensitive side as an artist. Rationality and sensibility often conflict in my journey of self-realization, and I am trying to visualize and merge them together, just as I strive for these two aspects to coexist and flourish in my life.
Works
Be No.29 - A combination of a Hong Kong Orchid Tree leaf and the motherboard of my wife’s broken laptop.
Be No.28 - A combination of the bark of a paperbark tree and the hard drive from my wife's broken laptop.
Be No.27 - A combination of an image of bark and a photo of Paper Shoot Camera displayed in the museum store.
Be No.26 - A combination of vibrant plants from a garden encountered in the alleys and a part of the mother board of my colleague’s desktop.
Be No.25 - A combination of a exterior green wall of Taipei EXPO Park and the mother board of colleague’s desktop.
Be No.24 - A combination of a stromatolite, the most ancient fossil form, exhibited in the museum and a broken circuit board of our apartment complex.
Be No.23 - A combination of vine on the wall and a circuit board exhibited in the museum.
Be No.22 - A combination of tree bark and a part of the circuit board of a broken bathroom air dryer in my house.
Be No.21 - A combination of the moss on a rock in a brook and the circuit board of a pinball machine.
Be No.20 - A combination of leaves on the ground during a hiking and a part of the circuit board of a broken bathroom air dryer in my house.
Be No.19 - A combination of a turtle shell and the circuit board of my wife’s hard disk.
Be No.18 - A combination of the exterior green wall of a construction site and the circuit board of my son’s toy.
Be No.17 - A combination of stones of the sea dike and a circuit board exhibited in the museum.
Be No.16 - A combination of a dry honeycomb and a circuit board exhibited in the museum.
Be No.15 - A combination of sand bubbles made by the crabs on the beach and the inside of a recorder exhibited in the museum.
Be No.14 - A combination of expired raw rice and a circuit board exhibited in the museum.
Be No.13 - A combination of a paddy field we met during a journey and the networking cables in our office.
Be No.29 - A combination of a Hong Kong Orchid Tree leaf and the motherboard of my wife’s broken laptop.
Be No.28 - A combination of the bark of a paperbark tree and the hard drive from my wife's broken laptop.
Be No.27 - A combination of an image of bark and a photo of Paper Shoot Camera displayed in the museum store.
Be No.26 - A combination of vibrant plants from a garden encountered in the alleys and a part of the mother board of my colleague’s desktop.
Be No.25 - A combination of a exterior green wall of Taipei EXPO Park and the mother board of colleague’s desktop.
Be No.24 - A combination of a stromatolite, the most ancient fossil form, exhibited in the museum and a broken circuit board of our apartment complex.
Be No.23 - A combination of vine on the wall and a circuit board exhibited in the museum.
Be No.22 - A combination of tree bark and a part of the circuit board of a broken bathroom air dryer in my house.
Be No.21 - A combination of the moss on a rock in a brook and the circuit board of a pinball machine.
Be No.20 - A combination of leaves on the ground during a hiking and a part of the circuit board of a broken bathroom air dryer in my house.
Be No.19 - A combination of a turtle shell and the circuit board of my wife’s hard disk.
Be No.18 - A combination of the exterior green wall of a construction site and the circuit board of my son’s toy.
Be No.17 - A combination of stones of the sea dike and a circuit board exhibited in the museum.
Be No.16 - A combination of a dry honeycomb and a circuit board exhibited in the museum.
Be No.15 - A combination of sand bubbles made by the crabs on the beach and the inside of a recorder exhibited in the museum.
Be No.14 - A combination of expired raw rice and a circuit board exhibited in the museum.
Be No.13 - A combination of a paddy field we met during a journey and the networking cables in our office.